On looking back at Semester 1, one of the most surprising things has been the extent to which my enjoyment of using the material has been revitalised by the practical classes. More than this, I've felt my perspective on making has changed and going back over basic techniques: coiling, slab-building, glazing, casting, firing, etc. with new instruction (along with students who are new to clay) has really made me reconsider and question my intended direction. Wendy's classes have been a strong influence on this. I've appreciated being guided by someone who has such an original approach to working with ceramic materials. Wendy has totally thrown away the rule book and developed her own, unique methods of working. This has allowed her complete freedom of expression in designing and making her artwork. This philosophy - and a renewed appreciation of what is really meant by 'form' - are two of the major things that I will take away from this first semester. My (personal) favourite and most successful work has come out of the sessions with Wendy where we had no brief, no research to carry out - were just told to pick up the clay and go... This isn't how I want to always work and it certainly isn't an appropriate method of producing work for my MA (at least it doesn't feel appropriate just now) but I do need to add some of this freedom of expression into my design and making processes somehow. I have definitely glimpsed another part of my creative self over the past couple of months so the cat's out of the bag now :-)
Thursday, 14 January 2016
Thoughts on a first semester - free making
On looking back at Semester 1, one of the most surprising things has been the extent to which my enjoyment of using the material has been revitalised by the practical classes. More than this, I've felt my perspective on making has changed and going back over basic techniques: coiling, slab-building, glazing, casting, firing, etc. with new instruction (along with students who are new to clay) has really made me reconsider and question my intended direction. Wendy's classes have been a strong influence on this. I've appreciated being guided by someone who has such an original approach to working with ceramic materials. Wendy has totally thrown away the rule book and developed her own, unique methods of working. This has allowed her complete freedom of expression in designing and making her artwork. This philosophy - and a renewed appreciation of what is really meant by 'form' - are two of the major things that I will take away from this first semester. My (personal) favourite and most successful work has come out of the sessions with Wendy where we had no brief, no research to carry out - were just told to pick up the clay and go... This isn't how I want to always work and it certainly isn't an appropriate method of producing work for my MA (at least it doesn't feel appropriate just now) but I do need to add some of this freedom of expression into my design and making processes somehow. I have definitely glimpsed another part of my creative self over the past couple of months so the cat's out of the bag now :-)
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